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ADULT LITERACY AND TELEVISION:
Has a familiar tool been overlooked?
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From May 18 -20, 2000,
thirty-six participants from around the world met at the 11th Annual Summer
Institute of The Centre for Literacy to consider how television has been used
in many countries to create public awareness and to teach literacy skills to
adults. This Institute brought together some of the pioneers in the field to
meet with practitioners and policy-makers, share their experiences, and explore
directions for the future. To provide historical context, The Centre produced
an annotated bibliography tracing the use of television in adult literacy from
the 1960s to the present day (See Resources, p. 36 ). Finally, to involve
participants in the experience of making television as well as talking about
it, part of the Institute was taped at Bravo! Studios by Canadian Learning
Television. To work with CLT and to benefit from some of the specialists
attending Summit 2000, an international conference on Children, Youth and
Media, the Institute was held in Toronto.
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The premise behind the Institute
Television is a powerful medium. It is accessible around the
world and across the socio-economic spectrum. The poorest home in North America
usually has a television set, while 20% of Americans did not have a telephone
in 1996. The 1995 International
Adult Literacy Survey (IALS) confirmed that adults with limited literacy in
the industrialized world watch more television than higher educated adults do.
Critics immediately leaped to the conclusion that television was to blame for a
low level of literacy. However, the researchers pointed out that it was more
likely that this group uses television as their primary source of information
because they find reading too difficult.
Most teachers of literacy have tended to see adult literacy and
television as the enemy. But there is a growing understanding that the nature
of literacy is changing, and that learning to read and write print is not
enough. Words, image and sound are creating new literacies.
With this in mind, educators are challenged to find ways of
using this medium to address the learning needs of adults at the basic skills
levels. Since early teaching models in selected US states in the 1960s and the
first national television initiatives in the mid-70s in Britain to reach
this audience, many national campaigns and teaching programs have been
developed around the world. They have all focused on print literacy. None of
them has been sustained. What are the possibilities for the 21st century?
Participants at the Institute offered insights and argued from
their own experience in creating television for adult basic skills, in using
television, in having their students create video productions; a contingent
from Ireland, where a massive national campaign got underway this fall, turned
heads in describing a return to an even older technology radiofor
both awareness-raising and instruction.
Thumbnail sketches of presentations:
- David Hargreaves, one of the designers of the original
British adult literacy campaign in the 1970s, originator of BBCs On the
Move, and now an international consultant, opened the conversation by laying
out the possibilities and challenges as he sees them. [p. 19]
- Europe Singh, Director of the Innovation Centre at the
University for Industry (UK) which is developing multimedia for learning to
reach undereducated adults in the British workforce, suggested
repurposing, as an effective and efficient way of using television
in an environment of merging media; this involves integrating segments of
programs already created for other purposes into on-line curricula. [p. 23]
- Robert Kubey, writer/researcher on media education, from
Rutgers University, offered some perspectives from his work on media literacy
in the K-12 curriculum.
- Ellen Long, researcher with
ABC CANADA, shared findings from an
impact study of the Yellow Pages LEARN media campaign, identifying some of the
reasons for adult learners participating/not participating in adult basic
education. [p. 34]
- Inez Bailey, Executive Director of
Irelands National Adult Literacy Alliance
(NALA), highlighted their experience using radio for basic skills teaching
and described a new national awareness and teaching campaign being undertaken
in the Fall of 2000. [p. 25]
- Maura Donnelly from the Adult Literacy Media Alliance (ALMA)
described the pilot-projects of TV411 now being launched in the US, touching on
its innovative approach and the challenges it poses to traditional learning and
funding models. [p. 27]
- Cathy Coleman, of World Education/SABES (Boston), shared
media production projects that she created with her students in local cable
network studios.
- Mona Arsenault, a tutor from Montreal, explained how she
capitalized on a students interest in hockey to teach an intellectually
disabled adult to read and use [p. 32] numbers by watching taped games of
Hockey Night in Canada. [p. 32]
- Sophia Wu, Associate Professor, College of Communication,
National Chengchi University, Taipei, Taiwan, used her research on TV-viewing
habits of Taiwanese children to raise the issue of the critical role required
of adults in mediating childrens viewing, a role not played very
effectively even by highly literate parents. [p. 30]
- Pauline McNaughton, AlphaPlus Centre (Toronto) described the
collaboration between AlphaPlus and TVOntario to produce Falling Through
the Cracks, a video introducing the adult literacy issue to a broader
audience.
- Ron Keast, President and CEO Access Television and Canadian
Learning Television, gave a private broadcasters perspective on the
potential relationship between TV producers and adult educators.
- Beth Odem and Greg Bailey, from Literacy Action Atlanta,
described their work as literacy teachers on live TV and on video for the
Georgia tech Lifelong Learning Network. Georgia Tech eventually lost its
funding for this work, despite excellent evaluations, partly because the bottom
line cost was considered too high.
- Millie Fazey, from Kentucky Educational Television (KET) gave
an overview of the KET televised GED programming which has had continuing
success in attracting adult basic learners.
From multi-million dollar investments to low-budget home-made
interventions, these and other examples illustrated the complexity of the
subject.
A high point of the three days was an afternoons
Colloquium filmed by Canadian Learning Television at Bravo! Studios and hosted
by TV personality Daniel Richler. Three panels explored and argued about what
television can offer the adult literacy community and about the challenges
facing that community around the world. Can television teach? Can it only
motivate? Do national campaigns work? What can teachers do with television? How
do print and media literacy connect? What are appropriate roles for volunteers
in literacy? How does culture affect viewer expectations of television? How do
race, gender, and ethnicity make themselves felt in literacy classrooms and in
television representations of adult learners? Do we stereotype learners? Do we
patronize them? Issues that are often avoided or skirted were aired at the
Colloquium. The tapes of that exchange have been edited, shown on Canadian
Learning Television (in December 2000, to be repeated in February 2001), and
made available for purchase.
The Summer Institute Televised Colloquium was funded by
The National Literacy Secretariat, and the
Office of Learning Technologies,
Human Resources
Development Canada
Highlights of some presentations and materials are collected in
this insert of LACMF with more available on our web site.
www.nald.ca/litcent.htm
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Television and adult literacy
- The questions and issues posed
- How has television been used to create public awareness
of adult literacy? Has it changed stereotypes? Reinforced old ones? Created new
ones?
- How is television best used with adult basic skills
students? As a motivator to create a sense of possibility? As a primary
teaching tool? As a supplement to traditional instruction?
- Is television an effective medium for teaching reading
and writing to adults? Why do discussions of media literacy happen only in
schools? Have the strengths of the medium been used to the fullest?
- How do current models of adult basic learning take
account of the potential of merging technologies? Why is so much attention
focused on computers and the Internet, and so little on a medium that is
already accessible?
- Are literacy teachers open to, and able to use,
television as a teaching tool? What is their role in the process?
- Who is interested in funding learning television for
basic learners? How do they monitor outcomes?
- Who is best positioned to develop programming? The
public broadcasting sector? The private? Community television? Partnerships?
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